In The Fate of the Furious (F. Gary Gray, 2017), the eighth film of the saga, Dominic Toretto is on honeymoon in Havana when a woman approaches him and shows him something on a phone. She is Cipher, played by Charlize Theron, a hacker and cyberterrorist whom the intelligence services have been chasing for years. The film will reveal what she showed him: a photograph of Elena, the mother of a son Dom did not know he had, both in her power. From then on Dom works for Cipher against his own crew. In Berlin he steals a weapon for her; in New York she takes control of hundreds of cars at once to stop a Russian minister’s motorcade and take his nuclear launch codes; in the Russian Arctic she seizes a nuclear submarine. When Dom hesitates, Cipher has Elena killed in front of him. She escapes at the end, and she will return in later films.
// The theoryThinking errors
In the 1960s and 1970s the psychiatrist Samuel Yochelson and the psychologist Stanton Samenow interviewed hundreds of men committed to a hospital for the criminally insane in Washington. Their conclusion, published in The Criminal Personality (1976), went against the dominant view: the problem was not mainly in their environment or their emotions, but in how they thought. They described dozens of thinking errors that made crime seem reasonable to the person committing it. Among the most important are the power thrust (the need to control people and situations), the sense of uniqueness (I am different, the rules are for others), ownership—what I want is mine by right—and the victim stance—I am the one who has been wronged. Glenn Walters later turned these patterns into a questionnaire, the PICTS, with scales such as entitlement, power orientation and justification.
Control, not money
Yochelson and Samenow insisted that many offenders do not seek mainly what they steal, but the experience of control: making others do what they want, seeing the world bend to their will. Cipher fits that description precisely. She is not interested in money, and she has no personal grudge against anyone in the film. What she seeks is power over powers: to have nuclear weapons so that the governments that possess them have to answer to her. Her way of getting Dom is the same in miniature. She does not buy him or persuade him. She takes away the people he loves and makes him obey. Walters called this pattern power orientation: relationships are understood as a struggle in which one controls and the other submits.
// The subjectThe judge of the world
Cipher’s speech is that of someone who believes she is the only lucid person in a hypocritical world. The superpowers possess weapons capable of destroying everything and are accountable to no one; she merely wants to force them to be accountable. It is an argument that contains a real criticism, and that is what makes it effective. But the cognitive approach looks at what the argument does for the person who makes it. It turns her into an exception: she can kidnap, kill and threaten millions of people because her cause is higher. It turns her victims into instruments: Elena and her baby are a lever, the cars in New York are tools, Dom is a weapon. And it places the responsibility elsewhere: if anyone dies, the fault lies with governments, with Dom’s disobedience, with the system. Samenow called this way of thinking a closed circle: whatever happens, it confirms that she was right.
Cipher
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// The crackHow we think does not explain where it comes from
The cognitive approach has a strong side and a weak one. The strong side is practical: thinking errors can be identified and worked on, and cognitive-behavioral programs based on them are among the treatments with the best evidence for reducing reoffending. The weak side is that it describes how an offender thinks without fully explaining why. Yochelson and Samenow went so far as to say that the criminal chooses to think this way from childhood, almost regardless of the environment, a claim much criticized for ignoring poverty, abuse and the social context. Their original sample was also very particular: men in a hospital for the criminally insane, not the average offender.
In Cipher’s case the film gives no origin at all: she has no past, only a mission. That makes her a pure illustration of the theory, and also shows its limit. Calling her ideas thinking errors does not answer whether her criticism of the superpowers is wrong. It answers something else: that no criticism, right or wrong, justifies holding a baby as a hostage.
Working on the thought, not just the act
The legacy of Yochelson and Samenow is in prisons and probation services: many rehabilitation programs teach offenders to recognize their own justifications —“they had it coming”, “I had no choice”, “the rules are not for me”— and to question them. The same patterns appear in controlling relationships, where one person uses threats to someone the other loves to dominate them. Cipher’s method with Dom is a spectacular version of a very ordinary form of coercion, and recognizing the thinking that supports it is the first step in dismantling it.
Three key ideas
- Cognitive criminology (Yochelson and Samenow, 1976; Walters) holds that crime is supported by learned thinking errors: the need for control, a sense of uniqueness, entitlement and blaming others.
- Cipher controls Dom by threatening his son and presents herself as the only one who holds the superpowers to account: a catalogue of power orientation, uniqueness and responsibility always placed elsewhere.
- The crack: the approach describes how an offender thinks better than why, and its founders underrated the social context. Calling an idea a thinking error does not settle whether the criticism behind it is wrong; it only shows that it does not justify the harm.
Sources · further reading
- Yochelson, S. and Samenow, S. E. (1976). The Criminal Personality, vol. I: A Profile for Change. Jason Aronson.
- Samenow, S. E. (1984). Inside the Criminal Mind. Times Books.
- Walters, G. D. (1995). “The Psychological Inventory of Criminal Thinking Styles. Part I: Reliability and Preliminary Validity”. Criminal Justice and Behavior, 22(3), 307-325.
- Gray, F. G. (dir.) (2017). The Fate of the Furious. Universal Pictures.
Case-file questionsFrequently asked questions
Who is Cipher?
Cipher is a villain from Fast & Furious, analysed on KRIMINIS through the lens of criminology. She showed him a photo on a phone and did not need to say anything else.
Why does Cipher become a villain?
Cipher, the villain of The Fate of the Furious, and cognitive criminology: a cyberterrorist who forces Dominic Toretto to betray his family and presents herself as the only one who keeps governments in check. In 1976 Samuel Yochelson and Stanton Samenow described the thinking errors that support that self-image: power, uniqueness, blame that always belongs to someone else.
Which criminological theory explains Cipher?
Cipher's case is analysed through Cognitive criminology. Cognitive criminology holds that behind criminal behavior lie learned thinking styles: errors that justify harm, such as the need for control, feeling above the rules or always blaming others. Samuel Yochelson and Stanton Samenow described them in The Criminal Personality (1976), and Glenn Walters turned them into scales. Cipher, the cyberterrorist of The Fate of the Furious (2017), is a catalogue of those errors: she controls Dom by threatening his son, presents herself as the only one who holds the superpowers to account and never sees herself as responsible for what she orders.








